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About

A renegade artist breaking down barriers in search of love and redemption.... an hallucinogenic ride through a prophetic masterpiece that rocked a generation.... a work of art put on trial for obscenity.... HOWL tells the unlikely story of a poem that sparked the counter-culture.

James Franco is uncanny as he channels the young Allen Ginsberg in this unconventional mash-up of poetry, politics, dreams and desire. Also featuring David Strathairn, Jon Hamm, Bob Balaban, Treat Williams, Alessandro Nivola, Mary-Louise Parker, and Jeff Daniels. Animation designed by Ginsberg collaborator Eric Drooker (Illuminated Poems). 


Photos

Festivals & Screenings

Freedom of Expression Award


Reviews

"Not quite a biopic, not really a documentary and only loosely an adaptation, HOWL does something that sounds simple until you consider how rarely it occurs in films of any kind. It takes a familiar, celebrated piece of writing and makes it come alive."
- A.O.Scot, NY Times

"Moments of soaring brilliance, with an elegant performance by James Franco as Ginsberg that should redefine his career."
- Betsy Sharkey, LA Times

"A great film. Franco disappears into Ginsberg's sexy earthiness."
- Jennie Yabroff, Newsweek 

“Stimulating and at times exhilarating to watch…”
- Bruce Handy, Vanity Fair

“HOWL combines dramatization and documentary images so fluidly that one experiences what may be a new form.”
- Steven Watson, Artforum

“A frenetic charged piece of cinematic poetry.”
- Nick Haramis, Black Book

"HOWL is a marvellously entertaining film, crashing through time periods, genres, film stocks and animation with absolute confidence.... a bold, inspiring piece of work, putting experimental techniques in the service of a heartfelt, insightful and surprisingly audience-friendly work of art."
- Tom Huddleston, Time Out London 

"HOWL is a gutsy, inventive film about an important moment."
- Marshall Fine, Huffington Post 

“Damned if Franco doesn’t nail the poet’s winningly bombastic urban-intellectual glee; he’s like a young rabbi letting himself go in the New York beatnik unerground. HOWL isn’t a conventional biopic.”
- Owen Gleiberman, Entertainment Weekly

"Franco plays Ginsberg with an electrified fondness. HOWL plays like poetry in motion.”
- Troy Patterson, Spin Magazine

"An exhilarating experiment that Sundance was built to nurture. Bravo!"
- Peter Travers, Rolling Stone

"After a movie you usually want to talk about the actors or the direction or the cinema-photography, but when you leave this movie what you want to do is go directly to a bookstore and buy a copy of “Howl” so that you can do some literary interpreting yourself; and then you want to go back and see the movie again (as I did) in the hope that this time you have something of your own to offer. See you there."
- Stanley Fish, NY Times 

 

Credits

Written for the Screen and Directed by
Rob Epstein & Jeffrey Friedman

 

Produced by
Elizabeth Redleaf
Christine Kunewa Walker

 

Produced by
Rob Epstein
Jeffrey Friedman

 

Executive Producers
Gus Van Sant
Jawal Nga

 

Director of Photography
Edward Lachman, ASC

Production Designer
Thérèse DePrez

 

Editor
Jake Pushinsky

 

Costume Design
Kurt and Bart

 

Music by
Carter Burwell

 

Music Supervision
Hal Willner

 

Animation Designed by
Eric Drooker

 

Animation Producer           
John Hays

 

Co-Producers
Brian Benson
Andrew Peterson
Mark Steele

 

Associate Producers
Peter Hale
Bob Rosenthal

 

Associate Producers
Ken Bailey
James Q. Chan
Kelly Gilpatrick

 

Line Producer
Lynn Appelle

 

Casting by
Bernie Telsey, CSA

 


CAST:

James Franco
as Allen Ginsberg

David Strathairn
as Ralph Mcintosh

Jon Hamm
as Jake Ehrlich

Bob Balaban
as Judge Clayton Horn

Jeff Daniels
as David Kirk

Mary-Louise Parker
as Gail Potter

Alessandro Nivola
as Luther Nichols

Treat Williams
as Mark Schorer

Jon Prescott
as Neal Cassady

Todd Rotondi
as Jack Kerouac

Aaron Tveit
as Peter Orlovsky


Resources for educators:

Literary Criticism Comes to the Movies by Stanley Fish

Sample Study Guide from The Learning Network / New York Times

 

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